Live in the Studio at KZSU 90.1 FM
The following text was transcribed from a post-performance
interview with Job at
KZSU 90.1 FM,
Stanford University, on their
Wednesday Night Live
radio show, November 11th, 1997.
Thanks to Secret Agent
for conducting the interview and all the other folks at KZSU
for being so nice. Special thanks to Emily Brady for her
support and extreme patience with the flat tire.
Secret Agent: ...experiencing technical difficulties...
but we're hanging out with the guys, and...
[Ten seconds of complete silence.]
Jai Young [feebly]:
Hello?
Matt [quietly]:
Hey. Hi there. WHOA! Hey!! What the hell are you doing?
[Another minute of technical difficulties.]
SA: Job, from San Francisco, down with us this
evening. So who's in the band? Who's here tonight?
Mark: Mark Schifferli on... the instruments that
the other guys play.
Matt: Um, then there's me... on the instruments
that none of us play.
JY: And then there's me on... guitar and keyboards.
SA: So we got me, me, and me. Down with us tonight.
How long have you guys been around?
Matt: Well, about 27, 28 years. As a band we've
been together though about like three...
Mark: Three years, yeah.
Matt: Three years I think is the right number.
SA: How did you meet up with individuals who wanted
to do something different, something...? You know, you guys aren't
the standard, uh, San Francisco-type band...
JY: Yeah, we met through the personals. This is
Jai Young talking, by the way. And was it... "Women Seeking Guitarist"?
Or...?
Matt: Something like that, yeah. [Pauses.]
I'd also like to make clear that I'm from Oakland. [Mark cracks
up.] Just to stake a little Oakland pride...
JY: That's Matt Lebofsky talking.
Matt: Yeah, that's me... So, I mean, we are a San
Francisco band just because two-thirds of us do live in San Francisco.
Not just live in San Francisco, but right by the rehearsal space
where we all practice, so... I'm sort of the odd man out, but whatever.
Mark: Yeah, as if that's all in fleh
[unintelligible].
SA [somewhat dryly]:
Well, that just adds character to the band... to have somebody
to commute over. Uh, you guys played any shows lately?
Matt: Well... uh... Uh, actually, I shouldn't field
this question because I wasn't... We did play a show, but as a
hemi-Job, not as a complete Job. I [don't] think I should field this
question.
Mark: Basically Matt had to go on tour with his other
band, Mumble & Peg... which is a very good band and you should all buy
their CD.
Matt: Thanks.
Mark: But yeah, we had a show, and since Matt couldn't
make it, we invited another unnamed guest to play with us, and it was a
very rewarding experience, hopefully for everyone involved, except
for... perhaps a bit too much feedback on my part... But I really
enjoyed it, so... Jai Young, do you have anything you want to add?
JY: Yeah, his name's Trey and he's one of the most
brilliant musicians of the 20th century. He plays in a band called
Mr. Bungle, Secret Chiefs Trio, uh...
Matt: Nottinghead Turd?
JY: Yeah...
Mark: Faxed Head.
JY: Faxed Head. And... Scourge.
Matt: Yeah, I was kind of bummed I couldn't make
that show...
SA: Yeah, but sounds like everybody else was pretty
psyched that you weren't there.
Mark: We were SMOKIN' !!!
Matt: Meanwhile I was playing in Eugene to nobody.
SA: Again, you know, it's one of those
character-building experiences. So, any shows coming up? Where
can people come and check you out live?
Mark: Much as we would love to plug a show coming up,
we don't have any scheduled right now, so...
Matt: It's a bad season, the holiday season and all,
you know.
Mark: Yeah, so... If anyone has any gigs they'd
like to book us for, please give us a call.
SA: Yeah, how can people get in touch with you if
they wanna?
JY: Let's see, we could do it through the Web page
for our... There's this record company that put out a CD for us, and
their name is Feast or Famine, and... I think they're on the Web at
like www.feastorfamine.com
- like no spaces...
SA: That's right.
JY: And there's a link to some Job home page and
you can look at that and check out, you know... God, all this Web
shit. Can you say "shit" on the radio?
Matt: No.
Mark: You just did.
Matt: Nice!
[Everybody laughs.]
SA: That's it. Forget it. We're not talking to you
guys any more. So tell us about this CD. How did you guys get hooked
up with Feast or Famine?
Matt: Well, I don't know, it was kinda weird,
because we did a couple tapes for them already. They kinda just
distribute like noise stuff around the Bay Area, and they were
totally... Well, I was working on a third tape... like we took
turns, like... Jai Young worked on the first tape, Mark worked on
the second, and me, Matt, I started working on the third, and what
we planned to put as a third cassette, I think they really liked
as... You know, since there was like forty minutes of music, they
figured, "Hey, let's just put forth the extra like 800 bucks to
print it as 1,000 CDs, so... They were, you know, they were really
into it. So... And yeah, I think they're happy with it. I mean,
we haven't gotten wide distribution yet, but pretty soon...
Mark: You can find the CD at Amoeba Records in
Berkeley.
Matt: All the usual local music holders in the
San Francisco city area should have it as well.
JY: But yeah, for now I think you can just order
it straight from the label, just... I mean, everyone's got a computer
now - right?
SA [humoring Jai Young]:
That's right.
[Everybody cracks up.]
Matt [to Jai Young]:
That's such a bogus thing to say!
SA: Um, so we already know that Matt's in another
band. Anybody else have any side projects going on?
JY: Um, okay, this is Jai Young, and I have a few
other identities. I'm also known as DJ Space Loop and I do like
some, you know, "techno" -- kind of, just isolationist, fucked up...
Actually whatever I wanna do...
[Everybody cracks up.]
JY: Oh, sorry.
Mark: Jeez! Watch the language! Gosh! Dang!
Gee willickers, man!
JY: I do a one-man project, I guess you could call
it noise, but... It's called Vegetarian, and it's totally, like,
self-indulgent. Uh, let's see, what else. I just played on a
recording that's produced by Ron K. of the San Franisco
[thrash-jazz] band Fracture and Radical House Records and...
The record's actually coming out on John Zorn's label Tzadik, and
it's gonna be called Bible Launcher II, and it's really good like
hesher dub, metal, something... And uh, let's see, what else...
SA: Hesher dub metal?
JY: ...and I play in a band called Flywheel.
And that's more like classic rock. Mark?
Mark: And I'm in a... I play in the San Francisco
improv scene, which is a word that Matt and Jai Young both do not
like to use...
Matt: "Improv," not "San Francisco."
Mark: Yeah... Well, Matt doesn't like San Francisco.
But he's from Oakland. I play in the Myles Boisen Guitar Trio, which
has a gig coming up in December, so you can look for that in the
free weeklies in the Bay Area, and that's an experimental guitar
thing, it's... I like it. Also there's a Myles Boisen Guitar
Orchestra which I play in, and that's gonna have a show in, I think
February. Then there's a quintent that's going by the name of Anxious
Taper Hogs that is two guitarists, me, and two saxophonists, and
that's another improv, kind of free jazz thing. And we've got a gig
coming up at the Luggage Store in San Francisco, November 21st, the
Monday before Thanksgiving. So if you're not buying a turkey, please
come out and check us out.
Matt [reading hand signs]:
Oh... Uh... Jai Young insisted that I add my other projects...
Mark: Well, I've got a project that's...
Matt: Oh, oh, oh! Mark, oh, I'm sorry. Here I am,
leeching... Oh, okay, I'm sorry. I didn't mean to leech off Mark's...
SA: Cutting in on someone else's...
Mark: The Apes of God.
Matt: Oh! The Apes of God, of course!
Mark: Yeah.
Matt: They rock, by the way...
JY: It's Mike Jacobs' favorite band...
Mark: Yeah, exactly. The Apes of God, uh...
JY: ...next to Slint.
[Matt cracks up.]
Mark: And the Apes of God basically... we are four
musicians backing up Gilbert Marhoefer, a local poet. The musicians
include John Hanes, who used to play with Romeo Void and also the
Stench Brothers, I think...
JY: Engorged with Blood...
Mark: And he leads Engorged with Blood, which is a
local rawk band. Jason Gibbs, who is a local composer, and Myles
Boisen again, who was with the Splatter Trio and stuff like that.
Matt [after long pause, to
Mark]: Are you done?
[Hootin' and hollerin'.]
Mark: "Thank you!"
Matt: I just want to mention that, even though we
don't have any shows coming up, you can probably catch us, if you
look at the free weeklies, as Mark and Jai Young say... Oh yeah...
SA: You guys just had an article come out today...
Matt [completely talking through Secret
Agent]: ...there's a noise fold-out or
something like that, which Jai Young...
SA: I heard that came out today...
Matt: Uh, no. Anyway, you should look for us in
there, and you can garner more information about us. Anyway, we might
like frequent the improv special places, like Beanbender's in
Berkeley, or maybe we'll eventually play Venue 9... I don't know.
But something like that.
SA: But you're gonna play at an "improv" place?
Matt: Hmm?
SA: You're gonna play at an "improv" place?
Matt: Yeah...
SA: If two-thirds of you are against the use of
the word "improv," how can you justify...
JY: Well, we'll take any gig we can get. We're
really just desperate whores.
Matt: We've played the Stork Club twice...
Mark: We're willing to play jazz-fusion if necessary.
[Matt continues to babble.]
SA: "WILL PLAY JAZZ FUSION FOR MONEY."
Matt [still quacking]:
...so look for us there MAYBE.
JY: Okay, and there's one more thing I do wanna
plug - Job isn't involved in it, but... [sarcastically] You
know we are considered part of the "San Francisco noise scene"... And
one very stable pillar in that scene is Scot Jenerik, and he's...
They're having a benefit for 23Five Incorporated. And that's coming
up on November 8th, and that's gonna be at the Lab in SF at 2498 16th
Street, and... Actually, you'll probably find me behind the board,
'cause I'm gonna be doing live sound for that. So, uh...
Mark: What time is that show?
JY: Uh, November... 8th? It's this Saturday. And
it's gonna have people like Thomas Dimuzio, Kal Seemen, Kurt
Weitzmann, Misty Neal, Larnie Fox, Craig Baldwin's gonna do some
visual stuff... and Scott Arford is gonna be doing some visuals...
And, yeah... whole bunch of other people, I don't remember them
right now.
Matt: I think that's about it, actually.
SA: That's quite a list! You guys have obviously
a lot of varied influences and backgrounds. Anything, I mean, it
kinda shows in your music... I... think... too... There's all kinds
of stuff in there, all over the place. You guys have anything in
particular, influences or things you draw from?
Matt [proudly]:
We're all really big fans of Yes. Actually, I'm just kidding.
Mark: No, you're not. Own it, baby! Own it!
Matt: Okay, I'll own it.
JY: Relayer, Close to the Edge...
Matt: Relayer ROCKS!
Mark: King Crimson...
Matt [about Relayer]:
It's the best album ever created.
Mark: I... you know... Uh... Close to the Edge.
Matt: Yeah, Close to the Edge is a very close
second. Many nights in high school, I would listen to Relayer ALL
the way through, like five days in a row. It was great.
JY: And aside from that, like our three tastes
pretty much diverge completely...
Matt: Yeah.
JY: ...I think my favorite bands are like these
kinds of... like... I don't know, like droning "post-rock" bands,
like Fushitsusha and Main and...
Mark: Was there not a cuss word in there?
JY: Yeah, a Japanese cuss word.
SA: No, that's... You know, I mean, it's a name...
It's like news reporting.
Matt: I guess my influences sort of range from...
Yeah, I have a lot of influences... a lot of overlap between Mark
and Jai Young, but I guess I'm sort of a fan of... I can't give up
those prog-rock leanings that I have had...
Mark: No you can't!
Matt: ...I can't. And Mark constantly gets on my
case becasue of that. But that's totally fair, because I really
gotta stop like this blind faith worship of prog-rock bands that
everybody seems to have...
[While Matt is talking, Mark is doing a human beatbox version
of a Matt Lebofsky 13/8 riff, which all others interpret as a
drum'n'bass breakbeat.]
Matt: ...Oh! We all kinda like Squarepusher, too.
I think that's what Mark's sort of alluding to there with his
amazing vocal technique... But, yeah... you can find me listening
to lots of... really bad music at any given time, so... That's all
I have to say.
Mark: I... and I've probably listened to more
jazz than the other two... That would be my big thing.
Matt: Yes...
JY: Bullshit.
[Everybody spazzes out.]
Mark: Jai YOUNG!!! JEEZ LOUIZE!!!!!!! Man!! Gosh.
Matt: Uh, man... The red button is getting a
workout to-night!
SA: That's right.
Mark: Anyway. Uh, yeah, more free jazz, and uh...
You know, I don't wanna go into the name thing because I don't
consider myself an authority on any of the bands that I like to listen
to occasionally. So... the vague free jazz, modern classical stuff, and
every now and then some contemporary pop, or... I don't know what
else...
Matt: Thomas Dolby.
SA: Well, we wanna thank you guys for coming
down. Appreciate it. It was great. And hopefully we didn't butcher the
sound too bad on our engineering... on my part... So... but I do
wanna thank Chris and Bob, our engineers, for helpin' us out
tonight, and... [Applause.] A great job. So thanks a lot.
And be sure to check out Job's new CD, out on Feast or Famine.
Check 'em out on the Web.
JY: It's called Party at Ilan's, by the way, named
after a good friend of ours.
SA: Yeah... www.feastorfamine.com... Check 'em out.
We're gonna go out with a track off the CD, and uh... Number 9,
which is, "Balactic Goes to War." So...
JY: "Baltic."
SA: "Baltic." Excuse me. Sorry. So... well...
See you guys later. Thanks!